Mishima: A Life in Four Chapters (1985) 720p YIFY Movie

Mishima: A Life in Four Chapters (1985)

A fictionalized account in four chapters of the life of celebrated Japanese writer

IMDB: 7.90 Likes

  • Genre: Biography | Drama
  • Quality: 720p
  • Size: 1.04G
  • Resolution: 1280*800 / 23.976 fpsfps
  • Language: English
  • Run Time: 121
  • IMDB Rating: 7.9/10 
  • MPR: Normal
  • Peers/Seeds: 4 / 23

The Synopsis for Mishima: A Life in Four Chapters (1985) 720p

A fictionalized account in four chapters of the life of celebrated Japanese author


The Director and Players for Mishima: A Life in Four Chapters (1985) 720p

[Director]Paul Schrader
[Role:]Hiroshi Mikami
[Role:]Masayuki Shionoya
[Role:]Ken Ogata


The Reviews for Mishima: A Life in Four Chapters (1985) 720p


A beautiful masterpieceReviewed byallar100Vote: 7/10

This is a movie that should be viewed and treated as a piece of art. This is an oblivious labour of love by the Schrader brothers about the life of Yukio Mishima that is full truly artistic elements. The movie jumps from color to black and white, past to present, fictional works by Mishima to him. All without being confusing in the least bit. The only thing that gets me is that the entire movie, with the exception of the narrator's spoken parts is in Japanese. Still a masterpiece that deserves an audience but hasn't found won. Criterion, if you are reading this, this is a film that should be released under your imprint with as much extras as possible. This film truley deserves more. 10/10

FascinatingReviewed byMilanVote: 7/10

Mishima - a life in four chapters is in my opinion the best Paul Schrader film to this day. Mesmerizing cinematography, accompanied with Philip Glass mystical musical score added a completely magical aura to the story of one of Japan's greatest novelists, whose originality and picturesque narrative are beautifully portrayed in this film. As any gifted character, Mishima was troubled with severe self conflicts, the main of them being conflict between a "pen and a sword" as the director puts it in his final chapter, or the struggle between the sensitive poet with homosexual feelings, living in a notoriously masculine society with centuries long warrior traditions, thus widening the gap between the sensitive and the militantly traditional side of Mishima himself.

All Schrader's films (and the ones he wrote scripts for) are basically stories of inside conflict within a man that doesn't belong in an environment he lives in. That also goes for Mishima, who, apart from Japanese military school upbringing is brought up with love for theater and words. His demise consisted of both of these key points in his life, it was about words and theatrical ending in a life long play. Film like this comes along once in a long while, and most will have to wait a lifetime to reach this beauty. 20 out of 10!!

My favourite filmReviewed bysimonbassoVote: 10/10

This is my favourite film and I think it is perfect. Unlike virtually any other film I can name, I never watch this film and think it would have been better if they'd changed this or that or whatever. Is this the definition of a work of art? I think so. Every brushstroke in Mishima is perfect and it all flows from the Schrader's script. I've always sort of liked Paul Schrader's work (you can't argue with Taxi Driver and Light Sleeper is an amazing film), but while his writing often seems to border on the bombastic, his directing style is usually non-existent. This is deliberate, I think, because his films usually deal with a search for redemption and are set in the real world; ugly and harsh. His style suits his themes as he presents his characters in a simple and realistic way, and lets them show the audience the truth of the situation. Imagine if Schrader had directed Taxi Driver or Bringing Out The Dead, instead of Scorsese. But like the protagonists of those two films, while Mishima the man was ideal Schrader material, right-wing, vain and at odds with society, his works were subtle and beautiful. In fact he had a secondary writing career as a woman's writer, churning out what can reasonably be described as romantic potboilers. So you wouldn't necessarily imagine that Schrader was the ideal man to capture that subtlety and beauty on film. I think the film shows that he was. The script he helped fashion splits Mishima the man into three parts; his life, his death and his mind. His life is represented in black and white, still camera, formal compositions. His death, for which he will always be best remembered, is handheld documentary style. And his mind is represented by the dramatised extracts from his novels, each one revealing the thought processes of this complex man, who hardly ever wrote a character that wasn't a reflection of himself. These dramatisations are beautiful to look at, thanks to Eiko Ishioka's remarkable production design and Schrader's imaginative staging. In all parts, the acting is superb, especially from Ken Ogata as Mishima, who captures the essential charm, arrogance and narcissism of the man. The photography is excellent throughout and contains images that the viewer will retain forever. Finally, the music is simply superb, perfectly matching the images, although written and recorded before shooting, adjusted during the editorial process and then re-recorded. How much the music influenced the shoot I do not know, but it bonds perfectly to the image. I have seen many ideas of what various people think the theme of the film is, what Schrader is trying to say. You know, the big stuff about life, death etc. But I do not think the film is saying anything. Mishima has already said it, the film simply repeats.

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